Reception Theory:
This considered how texts were encoded with meaning/messages by producers and then understood, (deeded) by audiences.
The academic Stuart Hall developed an approach for audiences and their problems and limitations, whilst Hall was at Birmingham University in the 1970's.
Reception Theory is based on the idea that there is no single meaning for any media text.
It focuses on what people see in the media and the meanings they produce. It says that messages from media texts can have a preferred meaning but anyone can have an individual interpretation. Audience readings are affected by variables of age, gender, social status and social context and thus they might not accept the preferred meaning.
Audience Decodes
Producer encodes meaning in the text
>>>> Dominant or Preferred
>>>> Negotiated
>>>> Oppositional
Suture
Classical Hollywood narrative, editing, sound and mise-en-scene 'sutures' or positions the audience in certain ways making only one preferred reading (reception theory) possible, however unconscious the audience is of that position. The theory stems from the literary and film theories.
According to these theorists, the audience 'stitches' itself into a film by relating to characters or world views expressed in a film, and the filling in the temporal and spatial gaps between scenes with our imaginations. This is made all the easier when means, techniques, codes and conventions of film are made 'invisible' by the filmmakers.Feminist film theory and audiences.
Laura Mulvey published a theory called 'Visual pleasure and narrative cinema' in 1975.
The theory laid out in the article develops as a logical argument from two assertions:
- Cinema reflects society
- Society is patriarchal
Patriarchy is a social system in which:
- Males hold primary power
- Males predominate in roles of political leadership, moral authority, social privilege and control of property
- Males dominate in the domain of the family, father or father-figures hold authority over women and children
- It implies the institutions of male domination and entails female subordination
- Many patriarchal societies are also partrilineal, meaning that property and title are inherited by the male lineage.
The Gaze
Laura Mulvey's argument is based upon the assertion that:-
'the 'gaze' of the camera is the male 'gaze'.
The male gaze is active, the female passive. Within the narrative male characters direct their gaze towards female characters
The Triple Gaze
The spectator is made to identify with the male gaze, because the camera films from the optical, as well as libidinal, point of view of the male character. Thus three levels of the cinematic gaze - camera, character and spectator - that objectify the female character. (TRIPLE GAZE)
Examples
Triple Gaze in Die Another Day
Audience > Camera > Pierce Brosnan > Halle Berry
Triple Gaze in Dr No
Audience > Camera > Sean Connery > Ursula Andress
Triple Gaze in Transformers
Audience > Camera > Shia LeBoeuf > Megan Fox
The Audience
The audience is constructed in such a way that they are compelled to 'gaze' from a male point of view. Women are forced to look at the text as though they were a male member of the audience. This occurs through the process of suture.
Agency
In Classical Hollywood cinema the male protagonist has agency - he is active and powerful. He is the agent around whom the dramatic action unfolds. the female character is passive and powerless - she is the object of desire for protagonist and audience.
Examples -
Ripley - Aliens
Katniss Everdeen - The Hunger Games
Tris - Divergent
Mulvey applied to modern music videos.
In Rihanna's Shut Up And Drive,we can clearly place Mulvey's theories and ideas on the video. We see from Rihanna's clothing she is the product of the male gaze, as it reveals ALOT of skin. We see how Rihanna is the embodiment of the submissive female, as the video shows women cleaning cars; which Mulvey may argue is not a skillful task and it would be expected for a woman to do this job. Through much of the video the women are positioned in very sexual positions that can be considered as part of the male power over women.
Examples -
Ripley - Aliens
Katniss Everdeen - The Hunger Games
Tris - Divergent
Mulvey applied to modern music videos.
In Rihanna's Shut Up And Drive,we can clearly place Mulvey's theories and ideas on the video. We see from Rihanna's clothing she is the product of the male gaze, as it reveals ALOT of skin. We see how Rihanna is the embodiment of the submissive female, as the video shows women cleaning cars; which Mulvey may argue is not a skillful task and it would be expected for a woman to do this job. Through much of the video the women are positioned in very sexual positions that can be considered as part of the male power over women.















